| ONE
HOUR DRIVE: Art Faculty Exhibition
It is my great pleasure to inaugurate the
Robert V. Fullerton Art Museum’s 2004/2005 season with this
long-awaited exhibition. One Hour Drive presents artworks of various
media by ten tenure-track professors and more than a dozen part-time
faculty members. Its handsome, accompanying catalog includes all
the faculty members, even those who are not represented in the show.
From the perspective of my six-year tenure
with the museum, I see this first faculty exhibition in this venue
as an important defining point in our relationship with the art
department. The exhibition concludes a formative phase, which started
when the museum gained its administrative and fiscal independence
from the department in 1998. Rather reluctantly accepted at the
beginning, this independence has helped us to find new ways of working
together and building strong foundations for still more fruitful
collaboration. The phase we are concluding has been rich in programs,
mutually beneficial partnerships of many individuals, and fundamental
structural and organizational changes within the museum. The phase
we are beginning promises a long-lasting, mutually inspiring and
stimulating instructional cooperation of two extraordinary partners.
For years, the department and its many individual
faculty members have been closely involved in the life of the museum.
Many faculty members have contributed their valuable time and money
to fulfill their dream of the University’s own museum. Richard
Johnston, who for many years served as the department’s gallery
director, was also the most instrumental person in the creation
of the new museum and was its founding director. Dr. Julius Kaplan
has also been extremely passionate and actively supportive throughout
the entire history of the museum. Currently, he has been conducting
research of the museum’s permanent collection of Predynastic
Egyptian pottery in preparation for the scholarly exhibition scheduled
for late 2005. Don Woodford, Roger and Kathy Lintault, Louis Fox,
and many others successfully shaped the museum in its early stages,
and they, together with others who worked hard on building the museum,
should be commended for their dedication and long, loyal involvement.
Julius Kaplan, Soonja Oh Kim, and Sant Khalsa
have supported the museum by serving on its advisory board, and
the ever-growing permanent collection of the museum wouldn’t
be the same today without major art donations by faculty members
such as Soonja and Julius as well as Don Woodford, Louis Fox, Sharon
Suhovy VanderMeiden, and Richard Johnston.
Another essential way many art department faculty
members have contributed to the development and success of the museum
was by curating some of the museum’s pivotal exhibitions.
Don Woodford curated Portraits from LA (1999), Sant Khalsa
co-curated with me Mirrors of the Invisible: Contemporary Art
Reflecting on Islamic Mysticism (2000), Billie Session curated
Ripples: Marguerite Wildenhain and Her Pond Farm Students (2001),
James Gobel 21 Paintings (2002), Louis Fox Symbols of Devotion:
Spanish Colonial Art of Mexico (2003), and Thomas McGovern
Photo Editors Who Shoot (2004). In the next three years,we
will see more exhibitions organized by faculty, including Dr. Kaplan’s
Predynastic Egypt in the Collection of RVF Art Museum,
Heather Murray’s Photography Unbound and James Gobel’s
exhibition of contemporary art influenced by Romanticism.
Since 1998, the museum has hosted numerous
solo exhibitions of the department’s talented faculty members
including Sant Khalsa, Don Woodford, Richard Johnston, Thomas McGovern,
Susan Beiner, James Gobel, Joe Moran and Sharon Suhovy VanderMeiden.
It has also held eight annual student art shows and close to a hundred
presentations by individual students, groups of students and studio
areas in the Dutton Gallery, designated to displaying student work.
In the fall of 2005, the museum will also co-organize and host the
long-anticipated, first ever art department alumni show incorporated
into Cal State San Bernardino’s 40th anniversary celebrations.
So, from today’s perspective, the past
has been good for both parties and the future promises to be even
better. I would like to thank Sant Khalsa for dedicating her time
and energy, and the art department’s financial resources to
make this exciting show and its accompanying catalog possible, and
for all her contributions in organizing the exhibition, preparing
its catalog, and installing its art. Of course, many others have
contributed to the success of this project. I greatly appreciate
their involvement. In particular, I thank Thomas McGovern and Dr.
Julius Kaplan for their catalog essays, Thomas Ruvolo for the catalog
layout, and John Fleeman for his always innovative and professional
installation of the exhibition. I also thank all the other museum
staff members: Cathy Aurora, Sharidy Cunningham, Megan DeWitt, Jorge
Lopez, and Sal Sandoval for their help with many aspects of the
exhibition’s organizational process, installation, and opening
reception.
The exhibition and catalog have been funded
by the Robert V. Fullerton Art Museum and Department of Art, with
additional support from individual donors. Friends of the Robert
V. Fullerton Art Museum sponsored the opening reception of the exhibition
and Arrowhead Credit Union the ongoing gallery remodeling project.
Thank you all.
Eva Kirsch, Director
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