| Catya
Plate: Biography
Individual
Exhibitions
2003
Everything you always wanted to know about Clothespins, Art Resources
Transfer, New York, New York.
ESP (Extra Sensory Perception), Robert V. Fullerton Art Museum,
San Bernardino, California. Curated by Susan Joyce.
2002
Bio-Encasement, Art Resources Transfer, New York, New York.
2001
Art in the Box, Goethe Institut, New York, New York. Organized
by Katrin Elia.
1999
No Non-Sense, LimeLight Gallery, New York, New York. Curated
by Leeza Ahmady.
1997
Artists (web) Space, Artists Space, New York, New York.
1994
Ars Moriendi in Numbers, Alternative Arts Gallery, London, England.
Artist for a Week, Collective Gallery, Edinburgh, Scotland.
Selected
Group Exhibitions
2002
Five Artists, Gallery International, Baltimore, Maryland.
Vault Series VII: Unique Prints, New Bedford Art Museum, New Bedford,
Massachusetts. Curated by Joan Backes.
Dermatome, cherrydelosreyes Gallery, Los Angeles, California. Curated
by Koan Jeff Baysa, MD.
2001
Conference, Wilmer Jennings Gallery, New York, New York. Curated
by Joe Overstreet.
…but fear itself, Lance Fung Gallery, New York, New York.
Curated by Koan Jeff Baysa, MD.
2000
Frere, New York Independent Art Fair, Chelsea Inn Hotel, New York,
New York.
Snapshot, Contemporary Museum, Baltimore, Maryland. Organized by
Gary Sangster.
Good Business Is the Best Art, The Bronx Museum of the Arts, New
York, New York.
Imaging the Wunderboard: Portraiture and Representation, Centre
for Freudian Analysis and Research, London, England.
1999
Making Connections, LimeLight Gallery, New York, New York.
Curated by Robert Curcio.
Hanging Instructions, Kingsborough Community College Art Gallery,
Brooklyn, New York. Traveling exhibition.
Hanging Instructions, Longwood Arts Gallery, Bronx, New York. Traveling
exhibition.
1998
About Face: Investigating the Snapshot, Islip Art Museum,
East Islip, New York.
Texas National ‘98, SFA Gallery, Stephen F. Austin State University,
Nacogdoches, Texas.
1997
New Directions ‘97, Barrett House Galleries, Poughkeepsie,
New York. Juried by Jennifer Blessing.
Artist in the Marketplace-17th Annual Exhibition, The Bronx Museum
of the Arts, Bronx, New York.
Curated by Marysol Nieves and Lydia Yee.
No England No Amsterdam II, Real Art Ways, Hartford, Connecticut.
Juried by Kenny Shachter.
The Condition of Pandemics: Towards the Millennium, Longwood Arts
Gallery, Bronx, New York. Curated by Betti-Sue Hertz.
Reflecting Pool, Kenkeleba Gallery, New York, New York.
1995
The Way We Live Now, Gardner Arts Centre, University of Sussex,
Brighton, England.
Sex, Health and Education, CoolTan Arts, London, England.
1993
CD2, Collective Gallery, Edinburgh, Scotland.
1991
Images of Power, Right Bank Gallery, Brooklyn, New York.
Curated by Erika Deak.
1989
7Up and Coming, Kenkeleba Gallery, New York, New York.
1986
Configuración, Galeria Oliva Mara, Madrid, Spain.
Education
1987-88
School of Visual Arts, Fine Art Department, New York,
New York.
1987
Bachelor of Fine Arts, Werkkunstschule Köln, Fine
Arts Department, Köln, Germany.
1982-87
Werkkunstschule Köln, Fine Arts Department, Köln,
Germany.
Personal
1962
Born in Barcelona, Spain. German Citizenship. Lives and
works in New York City.
Selected
Reviews and Publications
2003
Extra Sensory Perception: Catya Plate, Exhibition catalog,
California State University, San Bernardino.
2002
David B. Boyce, Exhibits of prints downtown complement
each other, The Standard Times, page 4, August 18.
Mike Giuliano, Art Crawl, Baltimore City Paper, Art Review, Vol.28,
No.28, July 10- 16.
Mike Giuliano, Critic’s Choice, Baltimore Weekly, Vol.26,
No.26, June 26-July 3.
Peter Frank, Picks of the Week: Dermatome, LA WEEKLY, Art Review,
Vol.24, No.12, February 8-14.
Holland Cotter, Amid the Ashes Creativity, The New York Times, Art
Review, February 1.
2000
Michael O’Sullivan, 1,300 Snapshots, One Surreal Show, Washington
Post, Friday, November 17.
Glenn McNatt, Glimpsing, but not seeing…, Baltimore Sun, November
26.
Frere, New York Independent Art Fair, Exhibition catalog, November.
Gary Axelbank, Bronxtalk: Bronx Asthma Symposium and Arthsma 2000,
Bronxnet TV, September 11.
Holland Cotter, A Showcase for Emerging Talent Nurtured Within the
Same Environment,
The New York Times, May 12.
Andrea Delbanco, Capturing a Killer: Artists’ Visions On Asthma,
The New York Times, page 12, September 24.
Dany Nobus, Poor Traits of the Self, Some Remarks on ‘Imaging
the Wunderboard, CFAR, June 22.
Steve Rockwell, dARTLES, dART International, pages 7-10, volume
3, number 1.
1999
Opening Reception of NURTUREart at the Hungarian Consulate,
HATV (Hungarian American Television), October 2.
Todd Aven, No Non-Sense Will Be Tolerated!, Night Magazine, number
42.
Paul Lombardi, The Limelight, NY1 News, January 18.
Molly Knight/Renatt Brodsky, What’s Hot New York, DNR Magazine,
page 9, January 13.
1998
Texas National ’98, Exhibition catalog, SFA Gallery,
Stephen F. Austin State University.
Catya Plate, 1001 Smells: A Smelly Affair at The Bronx Museum of
the Arts, The Aroma-Chology Review, Vol.VII, No.1.
1997
Holland Cotter, A Flock of Fledglings, Testing Their Wings,
The New York Times, Art Review, Friday, August 1.
Bill Arning, XVII Annual Artist in the Marketplace Exhibition, TimeOut
New York, Issue 99, August 14-21.
Joan D’Arcy, Barrett House ‘New Directions’ shows
best range, style, Daily Freeman, Preview, page 8, October 31.
Artist in the Marketplace Seventeenth Annual Exhibition, Exhibition
catalog, The Bronx Museum of the Arts.
Tracy Kampel, Tribeca stakes a claim as working artist haven, The
Villager, Arts and Entertainment, July 9.
Owen McNally, It’s art, all over the place, The Hartford Courant,
Arts and Entertainment, June 1.
1995
Stephanie Brown, Publications Quarterly; Artists’
Books, Artists Newsletter, February.
1993
Iain Gale, Sound Ideas, The Independent, November 12.
1991
Catya Plate, So soll ich meine Zahlen schreiben, (Artist
Book), Printed Matter, 23 pages, 22 b&w illustrations.
Awards,
Scholarships and Grants
1997
AIM (Artist in the Marketplace) Award, Bronx, New York.
1995
SLUMP (South London Undiscovered Masterpieces Prize),
judged by Sarah Kent (TimeOut Art Editor). London.
1987
Fulbright Scholarship, full grant, Germany/New York.
Collections
The Museum of Modern Art/Franklin Furnace-Artist Book Collection,
New York, New York.
Printed Matter, New York, New York.
IIE (Institute of International Education), New York, New York.
IPE (Institut für Personalentwicklung), Köln, Germany.
Web
Site
www.catyaplate.com
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